Bob 2010Bob Mayo’s career as a professional photographer started back in the 1950′s when it was the norm to operate with wooden 1/2 plate cameras, glass plates, sheet film, or 120 medium format Rolliflex.  Mixing the chemistry to formula via the Kodak manuals and working in darkrooms illuminated by red, yellow or dark green safelights and then with  colour film in total darkness.  Shooting colour  on Kodak Ektachrome 16 asa film, taking 1.1/2hrs to process in E2 chemistry by hand in 3 gall tanks, a nightmare especially when having to remove the film to be reverse exposed to photoflood lights. Quite a task with roll film.   Shooting on location the lighting was often flash bulbs, PF100 or 60s, expensive when using up to 20 bulbs for one shot,  one go with two camera’s.  You had to be accurate with the tape measure.    Yes they were the days, thank goodness for digital.

Although a traumatic era when going through the change over to digital when a lot of photographers and processing laboratories fell by the wayside,  the benefits accrued have been many giving us complete control over the final photograph,  able to concentrate more on the image and not so much on the technology, Im a great fan.

I operated as an advertising commercial photographer in the North of England, my interest in photography going back to  when as a nine year old my father gave me my first camera, a Kodak Box Brownie.   He was also a professional photographer who in 1957 started Photo Mayo Ltd a successful studio which operated for 35 years.   One of my first notable pictures ‘Leazes Park Ncle’ was taken in 1951 and  is included in the B/W section.   My career started at the age of 15yrs as an apprentice photographer, studying at night school  and using mainly  field cameras,  35mm was not allowed ‘only for amateurs’.   After national service in 40 Commando Royal Marines I joined my father in Photo Mayo and started to build my career, notably achieving Fellowship in the British Institute of Professional Photographers, a member of their national qualifications board, an assessor and advisor to the Newcastle College of Art photography courses and I lectured, exhibited and won a few awards on the way.

During all these years I was keenly interested in  producing my own work and would whenever the opportunity arose, ‘do my own thing’.   As a creative fine art photographer I have been greatly influenced by Impressionism And Abstract Art.   Originally using the camera and traditional darkroom masking techniques to manipulate the photographic image, its shapes, colours and textures, now with digital technology the photographer has infinite control and freedom  over his pictures and an opportunity  to emulate the painter in the content of the final image.

Bob Mayo now lives and works from his studio, a converted barn on the borders of the Lake District and the Yorkshire Dales National Parks.